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Technology is the making, modification, usage, and knowledge of tools, machines, techniques, crafts, systems, and methods of organization, in order to solve a problem, improve a preexisting solution to a problem, achieve a goal, handle an applied input/output relation or perform a specific function. It can also refer to the collection of such tools, including machinery, modifications, arrangements and procedures. Technologies significantly affect human as well as other animal species' ability to control and adapt to their natural environments. The term can either be applied generally or to specific areas: examples include construction technology, medical technology, and information technology.

Both definitions revolve around the same thing - application and usage.

Technology is an enabler

Many people mistakenly believe it is technology which drives innovation. Yet from the definitions above, that is clearly not the case. It is opportunity which defines innovation and technology which enables innovation. Think of the classic "Build a better mousetrap" example taught in most business schools. You might have the technology to build a better mousetrap, but if you have no mice or the old mousetrap works well, there is no opportunity and then the technology to build a better one becomes irrelevant. On the other hand, if you are overrun with mice then the opportunity exists to innovate a product using your technology.

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A tech must follow his engineer's lead and must constantly glance at the engineer to see if he needs something. The engineer of any show has a lot on his mind. There is a lot he has to be responsible for to achieve truly professional results. The engineer must focus on several things at once: the artists, the sound, and the audience. One thing he should not have to focus on is getting his tech's attention. Anytime the engineer has difficulty communicating with his tech, the tech is failing to do his job. It is the responsibility of the tech to be attentive. The engineer should never have to leave his seat after the artists arrive. The sound tech must be attentive to the needs of the artists too. When the artists are setting up, it is the sound tech's responsibility to provide the following:

Hand each artist his or her cable and tell them, "This is for you," or "You plug in here" for example.

We are not to touch the artists' equipment and they are not to touch ours (within reason of course.) We have to touch the drums to mic them, but we politely ask if that is okay and we make sure to ask if any of our mics are in the way of the drummer. Singers, obviously, will find it necessary to touch our microphones and that is okay too. But, it is the sound tech's job to make all necessary adjustments to microphone stands to obtain the optimum placement for every artist. No artist should ever have to adjust a mic stand. Whenever that happens the sound tech is not doing his job. The artist should only have to focus on his instrument and his performance. Playing music is an emotional experience and if an artist becomes perturbed because he has to adjust his mic stand it will affect his emotions negatively and that will degrade his performance.

The sound tech must adjust the monitors to suit the artists' preferences. Sometimes they want them closer, or farther away, or turned this way or that. It is critical to keep the monitors out of the feedback zone, i.e. not pointing at microphones that might induce feedback.

Whenever the engineer leaves his seat to attend to those duties, the sound tech is failing to do his job. The engineer cannot focus on setting up the board, and the monitor mix, and the artists, and the audience if he has to do the tech's job too. The most important job of the sound tech is to be attentive. Being attentive means more than attending to the needs of the engineer and the artists. Being attentive means attending the show and paying attention at all times. Listen for problems that may arise and alert the engineer of any concerns.

Look at the system. If there is a speaker that is off axis, the sound tech should notice something like that right away and correct it without hesitation. If an artist is trying to communicate something, the sound tech should be paying attention to that too. It is the engineer's responsibility to understand those communications that come from the artists during a show, but, more importantly, it is the sound tech's job to be attentive to the needs of the engineer and the artist. That might mean helping the engineer figure out what the artist is trying to communicate. Furthermore, if a microphone stand slips, or gets moved out of position or knocked over, the sound tech must correct that at once.

Sound techs always wear black. This is partly because they sometimes have to slip out on stage during a performance. Their black clothing reflects less light than any other color and therefore draws less attention to them than if they were dressed in fluorescent yellow for example. But it also tells the audience that he is not a member of the band. He is a sound tech and he is just doing what sound techs do. He is being attentive to the needs of the artist or the engineer, and he is doing it well.

Bottom line: if you don't learn anything else from this article, then at least learn this one thing. A sound tech's primary duty is to be attentive by paying attention at all times and attending to the needs of others for the sole objective of a flawless show.

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Over the years, fishing has taken many turns. It has gone in many directions, from low tech to high tech. You have many choices of fishing now days. You can fish with or with out a pole. Low-tech fishing is easy and can be fun. High tech fishing can also be fun, just more expensive.

Low Tech Fishing

The age-old sport of fishing low tech will test your skills. It would be you against the fish and see who comes out the winner. This is the sport from days past, where you could grab a cane pole, or a limb of a tree, tie a string on it, attach a hook, conjure up some bait and you are all set.

Low-tech fishing tests your knowledge of where the fish will be or how to attract them.

Jug Fishing: Fishing Without a Pole

When you fish without a pole, it is called jug fishing. It is used most the time for catching catfish and gar.

Fishing without a pole was the poor/lazy man's way of fishing, effective and productive for those who didn't have the time to hold a pole or for those too lazy to hold one. All you had to do was to bait a hook, place it on a line and a floating device large enough to tire the fish out trying to get loose. You could come back later and see what you have caught.

If you want to catch many fish at one time, you simply set out a line with many hooks, baiting all them out, securing the line to a tree or some kind of anchoring device and your trotline was ready.

Latest Technology News

Monday, December 7, 2020

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